Translation of the text written by Gérard Laplace origional in French for the show at Ocre d' ART.

Beyond the initial vertigo there is a message twinkling with optimism: nothing is steady, nothing is absolute, but you can extract (as one extracts from a quarry) an unlimited amount of possibilities from a space-time of multiple dimensions. At least one of them is declared personal. Annie Abrahams explores these possibilities, this 'becoming', because she cannot grasp all of the chaos, she tries to identify and to which she is giving a body of paint.

After the continuing creation of this universe, at the same time opened and saturated by the painter, the sculptor, or the architect, the designer of potential comes into action. Perspectives are multiplied into fictions of the space; all full of expectations.

Nothing is steady......in great haste Annie Abrahams sketches and constructs abris, refuges, emergency architecture, spaces where her own body can find a possible existence.  The computer is one of the tools who permits this play with the numbers. Infinity there is conceivable, but doesn't predict neither efficiency nor an execution. Nothing is closed, nothing is limited. Liquids and decisions.

For Ocre d'Art Annie Abrahams developed, beside other propositions, incongruities, she called them her 'incommodities'. She will realize them and then will deconstruct them. It is only a possibility before the exhibition. The exhibition becomes this way only a possibility herself, at least she is struggling with all the material of the possible that is not becoming.